Vollis Simpson Whirligig Park Celebrates 1 Year!

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Vollis Simpson Whirligig Park Celebrates 1 Year!

Posted in Preservation News, Take Action

 

Stationed in the South Pacific during World War II, Vollis Simpson used parts from a junked B-29 bomber to make a windmill-powered clothes washer. After the war, he made a windmill to heat his home. When he retired in 1985 from careers as a mechanic and mover of large buildings, Simpson wanted “to find something …better than watching television.” 

 

vswhirligigMark Karpal, 2007.

 

Simpson’s whimsical assemblages are created from inexpensive and recycled metal, including scaffolding, bicycle wheels, propellers, street signs and plumbing supplies. Characterized by simplicity and wit, they feature animals, bicyclists, musicians, carousels, lumberjacks, airplanes, rocket ships and angels, as well as abstract designs. Small works can sit comfortably on a table while the nearly thirty towering, large-scale constructions in the pasture across from his workshop rose to heights of nearly fifty feet. Larger works combine multiple motifs, with propellers, pinwheels, flanges and cups that clatter and spin in the wind. Together with the surrounding trees, they also have reflectors made from road signs, creating bursts of illumination in the headlights of passing cars after dark, and earned the nickname “Acid Park” by those who saw it.

 

The City of Wilson began work on the whirligig park in 2010, with Simpson’s whirligigs falling into disrepair as he grew older and no longer able to maintain them, the plans to restore and preserve the whirligigs was timely. The park’s nonprofit foundation bought the whirligigs, and teams began moving them into a workshop a few at a time to rebuild and restore them with Simpson able to advise. Upon his death in 2013 at age 94, the New York Times published an obituary for Simpson, describing him as “a visionary artist of the junkyard…who made metal scraps into magnificent things that twirled and jangled and clattered when he set them out on his land.” The story of Wilson’s plan to use the beloved whirligigs to reinvigorate the city center threw a spotlight onto the community. In 2013, whirligigs were named North Carolina’s official folk art and the City of Wilson recieved grants from ArtPlace America, the Kresge Foundation, and the National Endowment for the Arts to help acheieve the goal of opening the Vollis Simpson Whirligig Park and Museum. In 2016, the Kohler Foundation partnered in the project, providing the means to complete the conservation efforts and took ownership of 31 large-scale whirligigs and about 50 smaller works, completing the restoration project. The Vollis Simpson Whirligig park held the grand opening on November 2, 2017 to much celebration by the events hundreds of attendees.

 

whirligig-parkThe Vollis Simpson Whirligig Park, 2017.

 

Celebrating their first year of operation, a massive effort continues to document, repair, and conserve the whirligigs, originally constructed of recycled and salvaged parts, and damaged from nearly 30 years of exposure to the elements. New protocols for conservation of outdoor folk art and vernacular artist environments have been established through this project’s pioneering process. The Vollis Simpson Whirligig Park and Museum relies on donations in order to insure that these incredible sculptures stay beautiful and working well.  Please help by following one of the links below to make a one-time donation or to become a member.   If you would rather receive a paper donation form, you can email your name and address to whirligigpark@gmail.com.

 

 

Make a donation to the Vollis Simpson Whirligig Park and Museum

Become a member of the Vollis Simpson Whirligig Park and Museum

 

Hoffman's The Last Resort in California to Form Non-Profit

Posted in Preservation News, Take Action, Threatened Environments

 

In an effort to save and maintain The Last Resort, created by David Lee Hoffman in Lagunitas, Marin County, California, a nonprofit organization is being formed.

 

last-resort-faces-jfh-nov-2016Jo Farb Hernandez, 2016.

 
The site is at a critical point: the county is threatening to put the property up for auction next year, and the court-appointed receiver is ready to begin demolishing two of the structures.
 
The creation of the nonprofit will bring together people who will help to meet the challenges facing the survival – as well as, hopefully, to outline positive future plans – for this innovative art environment. Goals of the nonprofit will include fundraising to support financial obligations related to future code upgrade requirements, facilitating local and global interest in the use of ecologically-friendly black water and grey water systems, and creaing a vision for the educational and culture future of the site.

 

 See more about The Last Resort Lagunitas on SPACES and visit The Last Resort Lagunitas website here.

 

Read our previous update on The Last Resort:

Update on The Last Resort Lagunitas

 

Final Hearing for Watts Towers Art Center Director on September 13

Posted in SPACES News, Take Action

 

 

FINAL HEARING SEPTEMBER 13th ON SUSPENSION OF WATTS TOWERS

ARTS CENTER DIRECTOR, FOLLOWS EVIDENCE OF FALSE STATEMENT

BY CULTURAL AFFAIRS OFFICIAL AT PREVIOUS HEARING

 

The L.A. Civil Service Commission will consider its final decision Thursday, September 13, on Watts Towers Arts Center Campus Director Rosie Lee Hooks’ appeal against the three-week suspension imposed upon her by the Department of Cultural Affairs. The final hearing will be at 10:00 a.m. in Room 350 of the L.A. Personnel Department Building, 700 East Temple Street.

 

After a July 31 hearing, Ms. Hooks was found not guilty of insubordination, but guilty of not adhering to the public art approval process to paint a mural of Watts native son and jazz giant Charles Mingus, last September, on the Charles Mingus Youth Arts Center on campus.    

 

This finding has been called into question by substantial documentation proving that Ms. Hooks was unaware of this process, contradicting Community Arts Director Leslie Thomas’ testimony. Mr. Thomas admitted that he had approved Ms. Hooks’ vacation for the month of May, 2016, but insisted that she was definitely in attendance at the May 5, 2016, meeting where she was informed of the Public Arts Ordinance approval process.

 

Lawyer Adam Stern, representing Ms. Hooks for her union, the Engineers & Architects Association (EAA), has submitted to the Commission an airline check-in confirmation and Ms. Hooks’ passport with a dated visa stamp for additional consideration. This material proves that, at the very time of the May 5 meeting, Ms. Hooks was in transit to Johannesburg, South Africa. 

 

An internationally-honored community arts administrator and educator, Ms. Hooks has served twice as interim Director of the Watts Towers Arts Center, and was appointed Director in 2002. She was previously Director of Festivals for the City’s Cultural Affairs Department and produced the first Central Avenue Jazz Festival and many others. She also established, with Buddy Collette, the prestigious Watts Towers Arts Center Jazz Mentorship Program. 

 

When the Cultural Affairs Department put Ms. Hooks on suspension without pay in April, the community support groups for the campus expressed concern that the action against her was an act of retribution for her continuing efforts to advocate for the Watts community.

 

Community support group members and campus staff have, over the years, developed a long-range vision for the campus, its arts and educational programs and the presentation to the public of Sabato Rodia’s Watts Towers, a world-renowned masterpiece of architectural sculpture. As Watts Neighborhood Council Chair Jacquelyn Badejo attests, “For years, the community groups have asked the city for appropriate resources to support our vision, getting very little in response from the Cultural Affairs Department, the Mayor’s Office or the 15th Council District, and they have never shared with us their own long-range plans for the campus or the Watts community.” 

 

Affirming the union’s advocacy for Ms. Hooks, Labor Representative Geoffrey Garfield of the EAA states, “We offer any assistance the Watts community needs to end the blatant harassment of an adored arts educator.” 

 

watts-towers-Watts Towers. Billy Reed, 2015.

Click here to learn more about the Watts Towers, built from 1921 to 1954 by Italian immigrant Sabato Rodia. 

UPDATE! Save Nashville artist William Edmondson's homesite!

Posted in Preservation News, Self-Taught Arts in the News, Take Action, Threatened Environments

After hearing about city plans to sell Edgehill Community Memorial Park, concerned members of the community spoke up in support of preserving the beloved communty park and African-American historical site. Nashville’s municipal government has abandoned plans to sell the land on which artist William Edmondson, the first African-American to ever have a solo exhibition at the Museum of Modern Art,  lived for decades. The proposal to sell Edgehill Community Memorial Park to the highest bidder — which includes Edmondson’s homesite where he lived and worked in until his death in 1951 — would have likely resulted in that land being bought by private developers. After the community rallied together and raised their voices, the Metro Budget and Finance Committee voted unanimously to remove the sale of Edgehill Community Memorial Park, also known as the William Edmondson Homesite park and community gardens, from their budget recommendation.

“Their vote sends an unmistakable message that balancing the budget on the backs of neighborhood parks and civic spaces, done behind closed doors in disrespect to the affected community, is not only poor policy, but terrible process,” stated Mark Schlicher, co-chairman of the Save the Edmondson Homesite Park & Gardens Coalition. “We urge the full council to heed the will of the people and the wisdom of the Budget and Finance Committee, and pass the Sledge amendment as part of the budget tomorrow night.”

The proposal to sell the park to the highest bidder was a shock to artists, historians, and the city’s African American community; it also further obscured the legacy of a figure who is often overlooked in Nashville’s history. “We wouldn’t think about taking a bulldozer to the home of Thomas Edison,” said Tennessee State University professor Lee Williams. “These spaces should not be erased from our memory.” In response that the park would be potentially be sold, the art and academic community wrote an open letter opposing the sale and calling for the site’s preservation.  “For too long, the treasure that is William Edmondson has been taken from Nashville and from Edgehill and allowed to enrich other communities,” the letter reads. “It’s time to bring him home.”

William Edmondson’s work was featured in the recent exhibition Outliers and American Vanguard Art. Although his home no longer exists on the grounds of Edgehill Community Memorial Park, the surrounding neighborhood was an important part of his artistic career, and it was a neighborhood that has historically brought together Nashville’s black working class and upper-class white citizens.

 

Save Nashville artist William Edmondson's homesite!

Posted in Preservation News, Take Action, Threatened Environments

 

CLICK HERE to go straight to the petition and sign! 

 

Nashville’s Mayor plans to immediately sell a neighborhood park, which includes the former homesite of William Edmondson, Nashville’s most celebrated African American artist, to private developers to help balance the city budget. If this is approved by Metro Council on June 19, 2018, it will take precious parkland away from citizens, wipe away a historic site, accelerate the destruction of a historic middle- and working-class African American neighborhood, and eliminate a community garden that has served neighborhood families for generations. It will destroy a priceless historical and cultural site that should be preserved and enhanced instead. All with ZERO input from the neighborhood, the historical preservation community, or local or national arts and creative community. It also ignores and disrespects any and all previous land use policy conversations with the neighborhood.

 

Metro Nashville Council votes on its budget, which will authorize selling the land, on June 19. If it passes, we may lose this precious site forever. If we can stop it, we can at least begin a rational discussion as to how to best preserve and develop the property responsibly, as a proper monument to a great artist and as a living legacy that serves all citizens.

 

The petition is for the following:

1. Immediate halt of the sale of this public land to for private gain, and a commitment by the Mayor engage Nashville citizens in the process of preserving and enhancing it.

2. Transfer to the Parks Department and implement a meaningful master planning process, with civic involvement of all stakeholders of the site; for instance including themed playgrounds, integration with the adjacent branch library, a sculpture garden with landscaping, picnic shelters, and educational interpretive displays to share the stories of William Edmondson and other neighborhood heroes, such as pioneering musician Deford Bailey and early 20th century civil rights activist Callie House.

3. The specific section of the property where William Edmondson’s house and studio stood is forever preserved and developed as a site honoring his art and life.

4. The land next to the homesite, which is now parkland and community garden, should be protected as such, and improved via the master planning process.

5. If any other portion of the site is eventually sold to private interests, it must be done within a strict and binding planning framework, including firm safeguards of appropriate zoning and land use policies, that will enhance the neighborhood, not further threaten it.

 

Self-taught limestone sculptor William Edmondson was the first African American artist to receive a solo show at the Museum of Modern Art, in 1937. He is celebrated worldwide for his simple, but subtle, limestone garden sculptures, which are prized by collectors and sell for as much as $250,000. His work, and his story of vision, resourcefulness and faith, continue to inspire new generations of artists locally and around the world. Edmondson’s former homesite, where he lived, created his masterpieces, and died, is currently part of a park that includes a playground, basketball courts, picnic area, and a 25 year old community garden that serves children and families with fresh air, fresh fruits and vegetables, and community interaction.

 

Nashville’s Mayor has suddenly announced plans to rezone and sell this property to private developers “to the highest bidder” to help plug a gap in the city’s 2018-2019 budget. This likely means luxury high-rise condos or similar inappropriate development that will wipe away this treasured land, unless it is stopped.

 

There has been very little outreach by the city to the to the neighborhood to inform them, much less to invite participation in the future if the park. Nashville is booming. Development is proceeding at a feverish pace. Affordable housing is getting scarce. This area is already under tremendous gentrification pressure and the very survival of this historic neighborhood is at stake. The effect of eliminating the park in favor of incompatible development would be catastrophic. Loss of the park would be be a huge blow to the neighborhood’s vibrancy. Loss of the Edmondson homesite would be an irreversible loss of Nashville’s social, cultural, and artistic history. 

 

William Edmondson’s carved tombstones and garden sculptures spoke to the themes of faith, community, connection to the land, and remembrance. His own grave is lost, leaving his homesite —where he lived, worked, and died— as the only physical place where he can properly be honored.

 

SIGN THE PETITION HERE!

Follow on facebook here

Upcoming Hearing on Historically Designating the Painted Bride Arts Center

Posted in Gardens, Preservation News, Take Action

 

Philadelphia’s Magic Gardens seeks to protect important mosaic mural.

 

OLD CITY, PHILADELPHIA:  When it was announced in December that the Painted Bride Art Center was going up for sale, Philadelphia’s Magic Gardens (PMG) immediately recognized the risk that this posed to the roughly 7,000 square foot mosaic mural on the building’s façade, and is now working to protect this mural through historical designation. A hearing to discuss this historical designation takes place at 9:30 AM on Wednesday, June 20, at 1515 Arch Street.

 

paintedbridewalleditThe Painted Bride Arts Center

 

PMG’s mission is to preserve, interpret, and provide access to Isaiah Zagar’s unique mosaic environment and his public murals. Zagar’s mural at the Painted Bride, located at 230-36 Vine Street, is one of his most iconic works. In the early 1990s Zagar was invited to work on the façade of the Painted Bride building, formerly the Eastern Elevator Co. It provided one of the largest canvases to date for Zagar’s work and was the first time he covered the entire length and height of a building with mosaic mural.

 

In his 1993 article in the Philadelphia Daily News, Ron Avery wrote: “From sidewalk to roof every inch is colorfully painted and decorated in wild, imaginative detail. There are swirls, circles, seashells, Chinese writing and bits and pieces of ceramic birds, butterflies, flowers, human figures, and ceramic feet. ‘Isaiah took a simple industrial building with no character and made it fascinating,’ says Gerry Givnish, executive director of the Painted Bride. ‘Zagar’s weird art has given the Painted Bride near landmark status.’”

 

zagarIsaiah Zager with one of his colorful mosaics

 

PMG’s Executive Director Emily Smith remarks, “As community members, I think it’s important to fight for the character of our city. The history and culture of our streets is what makes Philadelphia such a special place to live. What does it mean if we don’t try to keep our art and the history behind it from being destroyed?”

If the application for historical designation is accepted it would protect the outside of the Painted Bride building from being altered or demolished. PMG has also made the commitment to caretake the mosaic mural in perpetuity.

PMG encourages the public to read the application, and if they support it, voice their opinion and attend the hearing on June 20.

CONTACT:

Emily Smith | 215-733-0390 ext. 113 | esmith@phillymagicgardens.org

_________________________________________________

ABOUT PHILADELPHIA’S MAGIC GARDENS 

Philadelphia’s Magic Gardens (PMG) is a nonprofit visionary art environment and community arts center located in Isaiah Zagar’s largest public artwork.

Spanning half a block on Philadelphia’s famous South Street, the museum includes an immersive outdoor art installation and indoor galleries. Zagar created the space using nontraditional materials such as folk art statues, found objects, bicycle wheels, colorful glass bottles, hand-made tiles, and thousands of glittering mirrors. The site is enveloped in visual anecdotes and personal narratives that refer to Zagar’s life, family, and community, as well as references from the wider world such as influential art history figures and other visionary artists and environments.

PMG is a unique Philadelphia destination that inspires creativity and community engagement by providing educational opportunities and diverse public programming to thousands of visitors each year. For more information, visit www.phillymagicgardens.org.

 

See more of Isaiah Zager’s Magic Gardens on SPACES!

Sign petition to save Justo Gallego's Cathedral!

Posted in Religious, Devotional & Spiritual, Take Action, Threatened Environments

 

justo-gallego-cathedral-overview-2008-environmentslideenlarge-1024-1024Justo Gallego's Cathedral in 2008, Jo Farb Hernández.

This petition calls for the municipal offices of Mejorada del Campo, where Justo Gallego has been single-handedly constructing a cathedral dedicated to Our Lady of Pilar, to take whatever steps necessary to support and preserve his work. Recently it seemed that the municipality would accept the responsibility of maintaining and preserving this enormous project – on which 92-year-old Gallego has been working since 1961 – recent troubling developments suggest that they are going back on their word.

 

For more information, please see our webpage about the site:

Justo Gallego’s Cathedral 

 

 

Please sign the petition and help convince the city of Mejorada del Campo to preserve this incredible monument.

View and sign the petition here.

 

Watts Towers needs our help again!

Posted in Take Action, Threatened Environments

Please join us in demonstrating to official Los Angeles and their Department of Cultural Affairs the depth and breadth of support that the Watts Towers and its Arts Center continues to maintain among supporters worldwide.

 

On April 9, Arts Center Director Rosie Lee Hooks was put on a three-week work suspension, effective immediately, punishment for the petty infraction of having a mural of jazz great Charles Mingus (raised in Watts) painted on the very building named after him at the Watts Towers Art Center.

 

The entire Arts Center staff has signed and sent a reasoned and detailed letter to Mayor Garcetti’s office protesting this injustice.

 

We have also learned that Cultural Affairs plans to contract out the production of the Watts Towers Day of the Drum Festival and the Simon Rodia Watts Towers Jazz Festival.

 

Please help us impress upon the representatives of the Los Angeles City government the importance of open communication with the staff of the Watts Towers Arts Center and the support groups who have worked together over years with the community out of which Rodia’s Towers grew.  We ask you to put your name to the letter we have prepared below and to send it to everyone on the “Mail to:” list beneath the letter. 

 

Make whatever changes in the letter you feel will best reflect your perspective. Then, send the letter to the first address on the list (Danielle Brazell, General Manager, Department of Cultural Affairs) and cc all the following names.

 

Please help us to protect the Watts Towers Arts Center, its director and its staff, so they can continue to work for the betterment of the people of Watts and the city of Los Angeles.

 

Thank you!

 

On behalf of

The Watts Towers Community Action Council

The Friends of the Watts Towers Arts Center

The Parents of the Watts Towers Arts Center Campus

The Watts Towers Arts Center Youth Board

 

Learn more about the Watts Towers here: http://spacesarchives.org/explore/collection/environment/watts-towers/

 

Dear Ms. Brazell,

 

I am writing to express my shock and dismay at the shortsightedness of the Department of Cultural Affairs for putting the Director of the Watts Towers Arts Center Campus on an immediate three-week suspension. 

 

Rosie Lee Hooks is an internationally honored community arts administrator and educator who has served the City of Los Angeles and the Watts community for decades. How is it that she is being punished for approving the painting of a mural portrait of the jazz giant Charles Mingus – who grew up in Watts – on the Charles Mingus Youth Arts Center, named for him when it was built more than ten years ago? The department’s action is not only an affront to Ms. Hooks but to the cultural legacy of the community itself.

 

Ms. Hooks has followed in the tradition of all past directors of the Arts Center to bring attention to the artistic heritage of Watts. They have all initiated the murals and mosaics adorning the buildings of the Campus with community artists. None of them were required to seek department approval for such Campus improvements and none of them ever received even so much as a reprimand. 

 

The department’s disproportionate reaction in Ms. Hooks’ case also takes her away from the Campus when she has to plan and organize the Watts Towers Day of the Drum Festival and the Simon Rodia Watts Towers Jazz Festival, scheduled for the end of September.  By effectively shortening the time Ms. Hooks has available to present these world famous events at the level of quality she has for almost 20 years, your department will bear the responsibility for undercutting their success. You must also be aware that if the department attempts to contract out the production of the Festival, this will likewise be regarded as a serious affront not only to the Watts community but to the music community that has participated in the Festivals and the Arts Center’s Jazz Mentorship Program over the years.

 

I stand by Rosie Lee Hooks, the Watts Towers Arts Center Campus staff, and the Watts community support groups. I urge you to reverse Ms. Hooks’ suspension immediately. She must be allowed to work for the betterment of the Campus and the community as she has always done – in the spirit of open communication and mutual cooperation. That is the value of community arts in a healthy society.

 

I ask as well that you help the Campus obtain the support of the City Councilmember to whose district the Watts Towers Arts Center Campus has brought world-class arts exhibitions, and professional arts and music education for over 50 years.       

 

Rodia’s Towers, the Watts Towers Arts Center, and the Charles Mingus Youth Arts Center inspire all who visit with the spirit of freedom, initiative, and multi-ethnic harmony.  The City of Los Angeles cannot afford to have such powerful symbols of peace and community be lost in these troubled times.

 

Sincerely yours,

YOUR NAME

 

In support of

The Watts Towers Community Action Council

The Friends of the Watts Towers Arts Center

The Parents of the Watts Towers Arts Center Campus

The Watts Towers Arts Center Youth Board     

 

Mail to: 

danielle.brazell@lacity.org

daniel.tarica@lacity.org

Leslie.a.thomas@lacity.org

eric.garcetti@lacity.org

barbara.romero@lacity.org

Edgar.garcia@lacity.org

luis.rivera@lacity.org

joel.jacinto@lacity.org

Mike.davis@lacity.org

controller.galperin@lacity.orgj

oe.buscaino@lacity.org

Councilmember.wesson@lacity.org;

david.ryu@lacity.org

councilmember.harris-dawson@lacity.org

councilmember.price@lacity.org

paul.koretz@lacity.org

Markridley-thomas@bos.lacounty.gov
sawoods@parks.ca.gov

leslie.hartzell@parks.ca.gov

Terry.nicholson@mail.house.gov

Ericfboyd@mail.house.gov

lucy.walker@sen.ca.gov

Holly.mitchell@sen.ca.gov

Michelle.chambers@asm.ca.gov;

Keara.joe@asm.ca.gov

craig.watson@arts.ca.gov

kelan10@att.net

ashley.stracke@lacity.org

 

  

 
 

Raise your voice in support of Philadelphia's Painted Bride!

Posted in Take Action, Threatened Environments

APPLICATION SUBMITTED TO HISTORICALLY DESIGNATE THE PAINTED BRIDE ART CENTER

Philadelphia’s Magic Gardens seeks to protect important mosaic mural.

 

Postcard for the “Skin of the Bride” exhibition, 9/19/1993. Don Camera, 1993.Postcard for the “Skin of the Bride” exhibition, 9/19/1993. Don Camera, 1993.

OLD CITY, PHILADELPHIA:  When it was announced in December that the Painted Bride Art Center was going up for sale, Philadelphia’s Magic Gardens (PMG) immediately recognized the risk that this posed to the roughly 7,000 square foot mosaic mural on the building’s façade.  PMG’s mission is to preserve, interpret, and provide access to Isaiah Zagar’s unique mosaic environment and his public murals. Zagar’s mural at the Painted Bride, located at 230-36 Vine Street, is one of his most iconic works.

In the early 1990s Zagar was invited to work on the façade of the Painted Bride building, formerly the Eastern Elevator Co. It provided one of the largest canvases to date for Zagar’s work and was the first time he created a full sidewalk to roof mosaic mural.

The decision to choose Zagar was apt, since both the artist and the Painted Bride began on South Street in the late 1960s and both were artistically, socially, and politically active in the South Street community. Today, their collaboration on the mosaic façade in Old City commemorates their shared history and dedication to the arts in Philadelphia.

In his 1993 article in the Philadelphia Daily News, Ron Avery wrote: “From sidewalk to roof every inch is colorfully painted and decorated in wild, imaginative detail. There are swirls, circles, seashells, Chinese writing and bits and pieces of ceramic birds, butterflies, flowers, human figures, and ceramic feet. ‘Isaiah took a simple industrial building with no character and made it fascinating,’ says Gerry Givnish, executive director of the Painted Bride. Zagar’s weird art has given the Painted Bride near landmark status.”

PMG’s Executive Director Emily Smith remarks, “As community members, I think it’s important to fight for the character of our city. The history and culture of our streets is what makes Philadelphia such a special place to live. What does it mean if we don’t try to keep our art and the history behind it from being destroyed?”

The application for historical designation would protect the outside of the Painted Bride building from being altered or demolished. It will be reviewed at a hearing at 9:00 AM on Wednesday, April 18, at 1515 Arch Street. PMG encourages the public to read the application, and if they support it, voice their opinion and attend the hearing.

CONTACT:

Emily Smith | 215-733-0390 ext. 113 | esmith@phillymagicgardens.org

____________________________

ABOUT PHILADELPHIA’S MAGIC GARDENS (www.philadelphiasmagicgardens.org)

Philadelphia’s Magic Gardens (PMG) is a nonprofit visionary art environment and community arts center located in Isaiah Zagar’s largest public artwork.

Spanning half a block on Philadelphia’s famous South Street, the museum includes an immersive outdoor art installation and indoor galleries. Zagar created the space using nontraditional materials such as folk art statues, found objects, bicycle wheels, colorful glass bottles, hand-made tiles, and thousands of glittering mirrors. The site is enveloped in visual anecdotes and personal narratives that refer to Zagar’s life, family, and community, as well as references from the wider world such as influential art history figures and other visionary artists and environments.

PMG is a unique Philadelphia destination that inspires creativity and community engagement by providing educational opportunities and diverse public programming to thousands of visitors each year. For more information, visit www.phillymagicgardens.org.

 

If you would like to contribute and write a letter of support for the historical designation for the Painted Bride façade , please send to:

Philadelphia Historical Commission
1515 Arch Street, 13th Floor
Philadelphia, PA 19102

 

Isaiah Zager in front of mosaic. Ted Degener, 2014. Isaiah Zagar in front of one of his vibrant mosaics. Ted Degener, 2014.

Act Now: Save The Last Resort - A Working Model of Sustainability in Marin County, CA

Posted in Take Action, Threatened Environments

img1983-environmentslideenlarge-1024-1024

 

Here’s your opportunity to voice your support David Hoffman’s The Last Resort house in Luganitas, a community in the Bay Area’s Marin County, California.

By signing the petition at this link, you are supporting the reinstatement of the Marin County Architectural Commission resolution that all 36 structures on the 2-acre property of David Lee Hoffman in Lagunitas constitute a cultural and historic landmark of local importance.

 

titanic2-nyt-jim-wilson-environmentslideenlarge-1024-1024

From the petition:

We feel that David is a visionary who, during the past 40 years, has created solutions to climate change issues that we face as a global community. These solutions lie in the very structures and systems that stand to be destroyed if the Commission’s unanimous ruling continues to be discounted or ignored. We believe the demolition of his work would severely endanger the health, safety, beauty and tranquility of Marin County - and the potential for large-scale solutions that David’s innovation provides.

Be sure to sign the petition today, and show your support for this dynamic ecologically-minded site!

 

And below, see a preview of the the documentary film being made about the threat against this site, for which SPACES Director Jo Farb Hernández was interviewed. Read more about SPACES participation here.

  

The Last Resort: Call To Action from A.J. Marson on Vimeo.

Browse Blog Archives by Month
Highlights

Vollis Simpson Whirligig Park Celebrates 1 Year!
Preservation News, Take Action

A Letter from Emily Smith, director at Philadelphia's Magic Gardens
Preservation News, SPACES News, Threatened Environments

Hoffman's The Last Resort in California to Form Non-Profit
Preservation News, Take Action, Threatened Environments

Dispatch from the Field: Singular Spaces, Volume 2 in progress!

Kohler Foundation seeks Preservation Coordinator
job opportunities, Preservation News

UPDATE! Save Nashville artist William Edmondson's homesite!
Preservation News, Self-Taught Arts in the News, Take Action, Threatened Environments

Save Nashville artist William Edmondson's homesite!
Preservation News, Take Action, Threatened Environments

Upcoming Hearing on Historically Designating the Painted Bride Arts Center
Gardens, Preservation News, Take Action

Sign petition to save Justo Gallego's Cathedral!
Religious, Devotional & Spiritual, Take Action, Threatened Environments

Raise your voice in support of Philadelphia's Painted Bride!
Take Action, Threatened Environments

The SPACES website allows you to save your favorite art environments and share them with your friends or colleagues. Create your own portfolio of your favorites from environments in the online collection.

Send them to your friends, post them on Facebook, Instagram, or Twitter and tag #spacesarchives 

Look for this button on pages that can be saved:

Add Page to my spaces