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SPACES Director to Present Singular Spaces at Madrid’s Reina Sofia Museum

Posted in SPACES News

 

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Friends + amigos, 

 

If you will be in Madrid next week, please come to the Reina Sofia Museum on Thursday, Dec. 17 at 7 pm to enjoy the presentation of my book Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments, along with books by three other women who have recently published on the theme of art brut/art environments in Spain, Cuba, and Italy.

These works flow outside of the mainstream currents of art, and, as such, escape the homogeneity of much contemporary work. Their creators, primarily self-taught, express a unstoppable need to create. They thus fulfill an important role as active witnesses to the power of art to realize unique, passionate, and personal inspirations. Giada Carraro, Jo Farb Hernández, Graciela García, and Yaysis Ojeda Becerra, four women from different parts of the world, have recently published books on this theme. They will come together at the La Central bookstore at Madrid’s Museum Art Center Reina Sofía, Spain’s national museum of 20th-century art, in order to more widely disseminate their publications on creative expressions found outside of the principal circuits of art.”

Find out more HERE.

 

Warmly,

jo

 

********************

 

Si por si acaso estaréis en Madrid la semana que viene, por favor pasáis a la Reina Sofia jueves a las 19:00 de la tarde para una presentación de mi libro Singular Spaces igual con 3 libros más sobre el asunto de arte brut/art environments en España, Cuba, e Italia. ¡Todos sean bienvenidos!

 

Mas AQUI.

 

Un saludo,

jo

Jean-Michel Chesné’s Garden and Grotto under threat from road realignment!

Posted in Preservation News, Threatened Environments
chesneThe site in 2012.

Jean-Michel Chesné’s site in Malakoff, France, which includes an innovative chapel and grotto, whimsical ceramic and shell mosaic work, and creative freestanding sculptures, are in danger of being demolished due to the city’s new urban plans. SPACES is helping Chesné try to convince the Malakoff officials to consider other options for their urban renewal that will not destroy this important site as collateral damage. If you would like to add your name to a list of supporters, please contact SPACES Director Jo Farb Hernández: jfh@cruzio.com. For further information, please contact Hernández or SPACES Board member Laurent Danchin.

A petition has been started to save this site, please sign and show your support!  

Margaret’s Grocery listed as one of Mississippi’s Historic Trust’s 10 Most Endangered Properties!

Posted in Preservation News, Threatened Environments
8619919350396aa27713zMargaret's Grocery in 2013. Photo by Kelly Ludwig.

October brought important news for the preservation of Southern vernacular art environments. On the heels of the nearly-finished Kohler Foundation conservation of St. EOM’s Pasaquan in Buena Vista Georgia, as well as the selection of its first Director, we now turn our attention toward Mississippi. 

On Thursday, October 22nd, the Mississippi Heritage Trust announced Reverend H.D. Dennis’ Margaret’s Grocery in Vicksburg, Mississippi on of 2015’s “10 Most Endangered Properties.” Since the deaths of Mrs. and Mr. Dennis’ in 2009 and 2011, respectively, the roadside market on historic Highway 61 adorned with bright colors and evangelical messages has swiftly decayed at an alarming rate. 

Now that the site is listed as a “10 Most” property, the real preservation advocacy begins. At SPACES, we will make sure to organize and share all public updates on preservation efforts surrounding Margaret’s Grocery, both on the civic and state level, and on the grassroots fundraising level.

For a quick review on recent preservation movement surrounding the site, watch Jennifer Joy Jameson’s 2015 presentation at the NPS-NCPTT’s Divine Disorder conference on the preservation of folk and “outsider” art.

 

Watch 1990s Jarvis Cocker Travel Art Environments All Over the World in This BBC Mini-Series

Posted in Found Objects

 

We recently stumbled upon a vintage gem on the art environment beat:

The English musician Jarvis Cocker, largely known as the frontman of the popular 90s Britpop group Pulp, traveling the world over to visit art environments and meet with the makers behind them in his 1999 three-part television series on BBC 4, “Journeys Into the Outside With Jarvis Cocker.”

Journeys Into the Outside with Jarvis Cocker

 Who better to bring the world of self-taught art to the public than the idiosyncratic performer behind the 1995 hit, “Common People.” In the introduction, Cocker explains his inspiration for the series, in school at London’s St. Martin’s School of Art:

“So desperate to find a spark of inspiration, something that would help to put these feelings into words, I began to scour the college library. There was no shortage of material on offer, but none of it seemed to fit the bill. I needed to find something outside all this, something that had not been analysed to death. And then when I had all but given up hope of such a thing existing, I found it: in a book called Outsider Art.”

 

outsider-art-48outsider-art-3 

“The book was about art made by people from all walks of life, who didn’t think of themselves as artists, but were creating things because they thought they had to, rather than because they had been taught to. Although the book featured paintings and sculptures it was the photographs of unusual buildings and monuments that really caught my imagination. How could there be a gap between art and everyday life, if every day you lived inside the work of art you had created? This was exactly what I was looking for.”

 

 

Part One: FRANCE

Cocker visits each of these art environments. Visit the links to see their page on our SPACES Online Archive:



 Part Two: UNITED STATES 

Cocker visits each of these art environments. Visit the links to see their page on our SPACES Online Archive:

 

outsider-art-29outsider-art-58 

“I’d found much more than just a subject for an essay, I’d found something that I could really get excited about. And I vowed if I ever got the chance, I’d go and find more about these incredible places and the people who’d made them. Now almost a decade later that time has come.”

 

Part Three: INDIAN, MEXICO, BELGIUM, AND SWITZERLAND

Cocker visits each of these art environments. Visit the links to see their page on our SPACES Online Archive:

 

 We hope Jarvis Cocker’s enthusiasm rubs off, and you find yourself on your own “Journey!”

 

Conservation of Chomo’s Village d’art Préludien Begins in France

Posted in Preservation News, Threatened Environments

chomo-at-night-2009-l-danchin-the-church-of-the-poor-img3206

 

Roberta Trapani reporting from France:

The week of July 13, 2015 saw the first stage in the efforts to preserve and restore the late artist Roger Chomeaux (or Chomo)’s Refuge, one of the most important buildings in his Village d’art Préludien, but the one that has suffered the most deterioration over the years. This restoration will develop in two phases: 1) preventative measures taken to arrest further deterioration and decay, to be undertaken during summer 2015 and 2) actual restoration of the Refuge, to be undertaken during summer 2016, if sufficient funds can be raised.

 

Under the direction of Fabrice Azzolin of the École des Beaux-Arts of Nantes, four young students are working on this first phase of the restoration. They first constructed a wooden structure to temporarily protect the Refuge, which is rusting, in order to ensure its security over the coming year. These students lived in Chomo’s Village for around ten days, and just by living there they resuscitated the site and breathed new life into it.

 

The week of July 13, all of those present ate together in the forest, in the middle of Chomo’s Village, in front of the house. The young students had access to the kitchen and they prepared a magnificent meal. In order to do this, they were inspired by Chomo’s sculptures, so they sculpted steamed carrots and other vegetables, and played with other different ingredients in order to create plate-sculptures. Chomo would have adored that! At the end of the meal, the students even improvised a jam session with different musical instruments, including guitar, flute, and harmonica. It was unbelievable to hear such beautiful music in the heart of the forest.  

 

The event, which brought in supporters of Chomo’s Village in addition to the Beaux-Arts contingent, was organized by SPACES Board member Laurent Danchin, who has written widely about Chomo and who has been the leading force in the campaign to save and preserve this important art environment.

 

Sign petition to help save Roberto Pérez’s Spanish art environment!

Posted in SPACES News, Threatened Environments

gaudi

Roberto Pérez has spent more than a quarter century creating a variety of artwork in different media, but his masterpiece is an architectural sculpture in the Spanish province of Granada. This work has been created with stone and recycled materials of all kinds, and  he has become known by many as the “Andalucian Gaudí.”

The Urban Planning Department of the province of Andalucía wants to demolish this work because it does not conform to local building codes. We are fighting their decision. Please sign the petition and pass it on to all your friends and colleagues:

 

Sign at this LINK.

 

Many Thanks,

Jo Farb Hernández, Director

SPACES – Saving and Preserving Arts and Cultural Environments

 

Support the Conservation of Chomo’s Village of Preludian Art!

Posted in Threatened Environments

SPACES Board member Laurent Danchin has launched a campaign to restore components of the Village d’Art Préludien created by Chomo (Roger Chomeaux, 1907-1999) in a small parcel located within the Fontainbleau forest in France. Although Chomo studied and successfully created and exhibited his work within the art mainstream as a young man, in 1960 he moved to this site, became a hermit, and spent the rest of his life creating an impressive environment of idiosyncratic buildings as well as numerous sculptures; most of the work was fabricated from recycled materials of all types. He named the site to reflect his feeling that his art served as a prelude to a new world that we would be soon to enter. 

 

chomo-at-night-2009-l-danchin-the-church-of-the-poor-img3193l´Église des Pauvres (The Church of the Poor) at night, 2009. Photo by Laurent Danchin.

The emphasis for the first phase of this conservation project is to restore Chomo’s Refuge; most of the other buildings, amazingly enough, are still in excellent shape, even after fifty years in the forest. Nevertheless, vandalism, theft, and deferred maintenance have taken their toll. Students and alumni from the Nantes School of Visual Arts will be guided by Fabrice Azzolin, teacher at the school and president of the IRES institute (Institute de Recherches et d’Études  Scéniques). Future plans include the construction of an enclosure that will surround and protect the site, and, ultimately, the development of a study center where creators and thinkers from all fields will come together to share their ideas and their knowledge.

 

For further information, or to contribute to this project, contact Laurent at laurent.danchin@free.fr.

 

Jo Farb Hernández

Self-Taught artist Josep Pujiula honored at International Award for Public Art ceremony in New Zealand

The Award

The International Award for Public Art (IAPA) honors excellence in the field of public art, increases visibility for public art internationally, and fosters knowledge through research, discussion, and debate. IAPA was created in 2011 by Forecast Public Art (publisher of Public Art Review) and Shanghai University’s College of Fine Arts (publisher of Public Art) with the aim of propagating knowledge about the practice of public art globally. The Institute for Public Art was established to further the process of researching and support efforts to host the award event and related forums.

 

Beginning in late 2013, Forecast Public Art began accepting proposals for hundreds of noteworthy recent public art projects from around the world to consider for the 2015 award; 125 exemplary projects were ultimately nominated. The field was then narrowed by an international panel of jurors to 32 semi-finalists, and then, ultimately, to seven finalists, one from each of the global regions.

 

Josep Pujiula (Argelaguer, Spain) was one of the seven finalists, representing all of Europe, including the Russian Federation. He was flown to New Zealand to participate in the International Award for Public Art ceremony in Auckland on July 1, 2015, and to present information about his work. His work, along with that of all 32 semi-finalists, was featured in an exhibition and publication, hosted by the University of Auckland in partnership with China’s Shandong University Academy of Art. For further information on all of the semi-finalists, see http://forecastpublicart.org/forecast/2014/12/public-art-review-usa-public-art-china-institute-public-art-announce-finalists-2nd-international-award-public-art/

 

While the ultimate winner of the2015 IAPA award was a project focusing on sexual violence in India (“Talk to Me,” 2012, by the artist collective Blank Noise from Bangalore, India), Pujiula received an award of special distinction for his 45 years of construction of the Labyrinth and Cabins of Argelaguer.

 

The Work

Josep Pujiula i Vila (b. 1937) is a self-taught artist who, driven by personal passion, created a monumental artwork that has become central to the shared public identity of his village in the province of Girona in Spain’s Catalonia.

Vila received no underwriting, sponsorships, or funding besides coins dropped into an improvised donation box. Yet, working for over 45 years on three separate, massive constructions, he has ignited the passion of the villagers, who are now working actively to preserve his artwork and reclaim it as emblematic of their locale.

Pujiula, a retired factory worker without his own land, built his structures on someone else’s private property. His first, straightforward architectural installation evolved into a second, more artful and expansive multilevel construction project. Created from branches found on-site, this second work of art included seven 100-foot towers, innumerable bridges, shelters, walkways, and stairwells, and a labyrinth over a mile long.

Working alone, with impressive technical prowess, he constructed soaring spires as well as graceful passageways and shelters with superficially fragile materials. He confidently adjusted to changes, opportunities, imperfections, and a lack or abundance of materials, improvising and integrating contingent elements. No formalized written plans ever existed for his elaborate constructions.

Tens of thousands of visitors passed through the site annually. Their ability to physically interact with Pujiula’s constructions energized and emotionally impacted them: “Thanks for making us feel like children,” read an anonymous note.

In 2002, Pujiula was forced to destroy the second iteration of his spectacular public project by the village government and state authorities, despite petitions from protesting supporters worldwide. Undaunted, Pujiula moved to a nearby site and began again. The third, monumental version (2007–2011) was elegant and extremely complex, evidence of his maturing aesthetic sense and his sharpened technical skills. To enhance durability, he also began working in stone, concrete, and steel, and soon his constructions again had become one of the world’s largest art environments, comprising eight towers, a new labyrinth, and numerous kinetic sculptures and cascading fountains.

Nevertheless, in 2012 Pujiula was forced yet again to dismantle and burn all of the wooden components. Today Pujiula—along with the energized villagers and thousands of international supporters—is fighting to save and conserve what remains, and in the fall of 2014 his work was finally acknowledged by the county and municipal governments as a local heritage site. His work has become the very symbol of Argelaguer, while at the same time it has gained increasing global importance, thanks to his innovative design, the monumentality of the construction, and his formidable tenacity.

Jo Farb Hernández

For more information: jfh@cruzio.com



Help Fund the Ed Galloway Totem Pole Restoration Project!

Posted in SPACES News, Threatened Environments
Galloway Totem PoleGalloway Totem Pole in 1981, Photo by Seymour Rosen

Ed Galloway’s Totem Pole Park (built from 1937-1948) located within the Rogers State Historical Park in Foyil, OK, is in need of conservation. Although the site, which includes a 90-foot concrete totem pole surrounded by several smaller totems and a small octagonal building, has been restored several times over the years, with the exception of the work sponsored by the Kansas Grassroots Art Association almost two decades ago, none have been of sufficient quality, nor sufficiently durable.

Following a year-long investigation as to how best to restore the top half of the totem, a team led by teachers Erin Turner and Margo Hoover has begun a campaign to raise funds for these efforts. Check out the link and help fund this important restoration project: http://www.totempolepark.org

You can find out more about the project through their recent Kickstarter Campaign page, here.

And, as always, learn more about the site on the Ed Galloway Totem Pole page in our Online Collection, here.

SPACES Mourns the Passing of Indian Artist Nek Chand

Posted in SPACES News

Nek Chand, creator of the Rock Garden of Chandigarh in India, died on Friday, June 12, at the age of 90. Mr. Chand started building his beloved Rock Garden in 1957—a breathtaking work that spans 40 acres, and is built entirely of discarded materials. 

nekMr. Chand at age 76. Image via Reuters.

Mr. Chand built the ‪Rock Garden‬ of Chandigarh as his vision of the divine kingdom on Sukrani on a land conservancy gorge near Sukhna Lake. In 1975, at around 13-acres, his guerrilla artwork was discovered by authorities and was in danger of being demolished. Thanks to the public’s advocacy, in 1976, it was designated a public space, and Chand was given a title (Sub-Divisional Engineer), and a salary to continue building and maintaining it, along with a workforce of 50 Laborers. The now 40-acre site is visited by 5,000 people daily, and is one of the country’s most popular tourist destinations. 

 

The New York Times, in an obituary for Mr. Chand, recalls the artist’s beginnings: 

“The creation story of the Rock Garden has the tenor of a local epic. Mr. Chand was born Nek Chand Saini on Dec. 15, 1924, in the village of Barian Kalan, which became part of Pakistan after partition. He was newly arrived in the city of Chandigarh just after India’s independence in 1947. He worked for the government as a road inspector, according to the Department of Chandigarh Tourism website. But, Ms. Bajaj said, he became fascinated by found objects, including weather-beaten rocks. 

 

“I started building this garden as a hobby” in the 1950s, he said in an interview with Agence France-Presse in December. “I had many ideas, I was thinking all the time. I saw beauty and art in what people said was junk.” By night he slipped onto a patch of land and artfully arranged rocks and construction waste behind a barricade of empty tar drums.

 

“The beautiful stones he set aside, and then he would set them up like a jeweler,” said Ms. Bajaj, who was introduced to the sculptures in 1972, when, she said, the garden was still something of a secret. “When Nek Chand would pick them up and put them in a particular way, suddenly you could see, my God, this is a woman with a child.”

We at Saving and Preserving Arts and Cultural Environments (SPACES) remember the important work and legacy of Nek Chand, and are thankful for his contribution to India and the world-over. Mr. Chand’s Rock Garden is an inspiring example of a people and their government not only supporting and sustaining a self-taught art environment, but articulating it as a valuable cultural marker in the region:

“It has made Chandigarh complete,” said Rupan Deol Bajaj, a retired bureaucrat from Punjab who has been an advocate of protecting the garden. “It has given a soul to the city.”

Below, enjoy a video on the on-going conservation of the Rock Garden of Chandigarh. If you have images of, or documentation on Nek Chand’s Rock Garden, and would like to submit that detail for the Rock Garden page on the SPACES Archives Online Collection, please contact us HERE

 

Nek Chand’s Rock Garden - Work In Progress from Alan Cesarano on Vimeo.

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Highlights

Conservator-in-Residence Position, Hartman Rock Garden - Ohio
Preservation News

SPACES Honors Watts Towers Committee Founding Member Jeanne Smith Morgan on her 90th Birthday!
Preservation News, SPACES News

Remembering Josep Pujiula i Vila (1937-2016)
Just Added, Self-Taught Arts in the News

Dispatch from the Field: Jo Farb Hernández in Spain
Just Added, SPACES News

Materializing the Bible. by James S. Bielo (Miami University)
Gardens, Religious, Devotional & Spiritual

Call to Action: Preserve Grandma Prisbrey's Bottle Village in California
Threatened Environments

Mr. Imagination exhibit at Intuit named one of 10 best in the United States
Self-Taught Arts in the News

SPACES Director to Present Singular Spaces at Madrid’s Reina Sofia Museum
SPACES News

Margaret’s Grocery listed as one of Mississippi’s Historic Trust’s 10 Most Endangered Properties!
Preservation News, Threatened Environments

Watch 1990s Jarvis Cocker Travel Art Environments All Over the World in This BBC Mini-Series
Found Objects

The SPACES website allows you to save your favorite art environments and share them with your friends or colleagues. Create your own portfolio of your favorites from environments in the online collection.

Send them to your friends, post them on Facebook or to your Twitter account!

Look for this button on pages that can be saved:

Add Page to my spaces