SPACES and Kohler Foundation Celebrate New Partnership

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SPACES Archives welcomes new Social Media and Communications Coordinator

Posted in SPACES News
spark-paintings-imageJen Balge leads a SPARK! Group at the John Michael Kohler Arts Center

SPACES Archives is pleased to announce the hiring of Jen Balge as our New Media and Communications Coordinator. Jen is taking over from Jennifer Joy Jameson, who has transitioned to the Alliance for California Traditional Arts as Programs and Media Director. She will focus on SPACES’ ongoing mission and goals as we continue to work to engage those familiar with our work as well as attract new audiences. 

 

Jen has worked at the John Michael Kohler Arts Center as Education Specialist since 2013, planning public programs and education components around works featured in their exhibitions and collections, many of which include art environments. With access to the JMKAC collection as well as SPACES’ physical archives – as it continues to transfer to the Kohler Foundation, Inc. – she is looking forward to exploring a range of topics to broaden our reach and impact. Among her short-term goals are to feature contemporary artists whose work has been influenced by art environments and to offer resources for educators. She also hopes to continue to build partnerships with other academic and general organizations who work in this field.

 

Jen holds degrees in art and education from Cardinal Stritch University (Milwaukee, Wisconsin), and strives to use points of universal accessibility of artist-built environments to engage people of all ages and abilities. In addition to her position at JMKAC, she serves as the museum representative on the Wisconsin Art Education Association board and is currently president-elect for the Dementia Care Network of Sheboygan County.

 

Be sure to follow SPACES Archives on Facebook, Instagram, and Twitter to stay up-to-date on our latest happenings. You can reach Jen with any new media and communications inquiries, suggestions, or comments at communications@spacesarchives.org. 

 

SPACES and Kohler Foundation Celebrate New Partnership at the Road Less Traveled

Posted in SPACES News

 

dsc9775L to R: Susan Kelly, Senior Preservation Coordinator, KFI; Bill Swislow, SPACES Board; Ann Gappmayer, JMKAC; Stacy Mueller, SPACES Archivist; Terri Yoho, KFI Executive Director; John Foster, SPACES Board; Christine Taylor, Incoming KFI Executive Director; Jo Farb Hernández, SPACES Executive Director. Missing: Lisa Stone, SPACES Board; Dan Smith, Senior Preservation Coordinator, KFI

The recent Road Less Traveled conference in Sheboygan, Wisconsin, hosted by a consortium that included the Kohler Foundation, Inc., the John Michael Kohler Art Center, and the National Center for Preservation Technology and Training, was the venue for the “official” announcement and celebration of SPACES archives partnership with, and move to, the Kohler Foundation, Inc.

 

screen-shot-2017-10-09-at-114503-amScenes from the In Celebration of Ourselves exhibition co-curated by SPACES Archives, including the works of Sanford Darling, from his House of 1,000 Paintings + figure from Calvin and Ruby Black's Possum Trot.

In conjunction with the conference, SPACES Director Jo Farb Hernández worked with JMKAC curator Karen Patterson on two complementary exhibitions that drew from the archive’s resources – one focused on the Watts Towers and one that presented components of the groundbreaking In Celebration of Ourselves exhibition organized by SPACES founder Seymour Rosen for the San Francisco Museum of Modern Art in 1978. Hernández, along with all current members of the SPACES Board of Trustees – including John Foster, Lisa Stone, and Bill Swislow – as well as SPACES archivist Stacy Mueller, also participated in a panel discussion describing the work of SPACES archives, its development and evolution, and its plans for the future.

 

wattstowerexcel20170002rosenwattsMore scenes from the exhibition, including early images from Watts Towers. Photo courtesy JMKAC.

As this partnership with KFI develops and the physical archives are transferred to Sheboygan, SPACES staff and Board will continue to fulfill our mission of identifying, documenting, collecting information about, and advocating for the preservation of art environments all over the world. And as we continue to do so, we encourage all of you to continue to send us your photos, your texts, and any information you can uncover about art environments. This site has truly become a crowd-sourced resource, and we couldn’t do it without you! Thanks to everyone for your support!

 

img1930-brightenedSPACES Director Jo Farb Hernández with SPACES Board Member Lisa Stone at the celebration honoring the transfer of SPACES to KFI. Photo by John Foster.

Read more about the week’s events + the accomplishments of SPACES in this new piece by Hyperallergic

 

To see a video tour of the exhibition, view more on our Instagram feed

 

SPACES IS HIRING: New Media and Communications Coordinator

Posted in SPACES News

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Today, we say farewell to our friend and former New Media and Communications Coordinator, Jennifer Joy Jameson, as she dives further into her responsibilities at the Alliance for California Traditional Arts. We’re glad to be able to continue Jennifer’s work by bringing a new person onto the SPACES staff to aid in accessibility and visibility for the organization as it transfers operations to the Kohler Foundation.

 

SPACES - Saving and Preserving Art and Cultural Environments, a 501(c)(3)public benefit organization, is looking for an individual who can combine digital media skills and an understanding of SPACES’s mission and goals to help us build new audiences for our organization. Familiarity with the genre of art environments and the fields of folk and self-taught art are preferred but not required.

 

We seek a self-starter with experience in communications and digital media content development who can successfully promote and build awareness for the unique sites and environments that SPACES represents. With the new national and international audiences you build, we will expect to see significantly increased page views on our website (www.spacesarchives.org).

 

This position is defined as an “independent contractor” and is expected to require the equivalent of approximately ten hours weekly; compensation will be negotiated commensurate with experience. The successful candidate will be reviewed after the first month, with a second review after six months. The New Media and Communications Coordinator will report directly to SPACES’s Director.

 

The New Media and Communications Coordinator may work remotely from their home or business.

 

> > > Click here to review and download the attached PDF for the full job description.

 

There is a short window of opportunity to apply: Applications are due by Thursday, Oct. 5, 2017.

Add Your Name in Support of Saint Malo’s Famed Seaside Sculptures in France!

Posted in Threatened Environments

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Sculpted from the rocky seashore by French priest l’abbé Fouré between 1895 and 1907, the famous Rochers of Rothéneuf have been suffering incremental damage for years, damage that has now reached a critical point where conservation is essential.

Please consider adding your name to a list of those who support including it among official French historical monuments and/or remarkable gardens (either would provide protection and support), as well as naming it a French heritage site. To ADD YOUR NAME, please send your name along with a 1-2 word description of yourself (collector, researcher, professor, photographer, etc.) to joelle.jouneau@orange.fr, and please copy SPACES Director Jo Farb Hernández as well, at jfh@cruzio.com.

See the attached letters of support below for more context, and thank you for helping to save this important art environment!

ENGLISH: Letter in Support of Rochers de Rotheneuf (Jo Farb Hernández)

—————————

Sculpté du rivage rocheux par le prêtre français l’abbé Fouré entre 1895 et 1907, les Rochers célèbres de Rothéneuf subissent des dégâts supplémentaires pendant des années, des dommages qui ont atteint un point critique où la conservation est essentielle.

S’il vous plaît, envisagez d’ajouter votre nom à une liste de ceux qui l’accompagnent parmi les monuments historiques français officiels et / ou les jardins remarquables (soit fourniraient une protection et un soutien), mais aussi le nommant un site patrimonial français. Pour ajouter votre nom, envoyez votre nom avec une description de 1-2 mots de vous-même (collecteur, chercheur, professeur, photographe, etc.) à joelle.jouneau@orange.fr et copiez également le directeur de SPACES Jo Farb Hernández , À jfh@cruzio.com.

Consultez les lettres ci-jointes de soutien ci-dessous pour plus de contexte, et merci d’avoir aidé à sauvegarder cet environnement artistique important!

FRENCH: Letter in Support of Rochers de Rotheneuf (Joelle) / FRANÇAIS: Lettre à l’appui de Rochers de Rotheneuf

SPACES, Inc. Moving to Wisconsin's Kohler Foundation, Inc.

Posted in SPACES News

 (L) Sign by the late NC artist James Harold Jennings, from the collection of Seymour Rosen;
 (R) Executive Director Jo Farb Hernández at SPACES. Photos by Jennifer Joy Jameson, 2017.

SPACES was informally organized in 1959 and has operated as a formal nonprofit organization since 1978. After some 5 1/2 decades, it is now time for us to take a new step that will enable us to put our collections and resources to even greater use. We are thus truly excited to announce that SPACES has decided to partner with Kohler Foundation, Inc., and will transfer SPACES’ archives and the operation of the website to the only foundation in the country dedicated to the preservation of art environments. KFI is committing extensive resources to the present and future of SPACES mission and archives, and we will look forward, through this anticipated partnership, to maintaining the resources to continue to support SPACES’ mission for generations to come.

screen-shot-2017-06-07-at-44702-pm

 (L) Library view of the Aptos, California Archive

 (R) Archivist Stacy Mueller and Executive Director Jo Farb Hernández at SPACES. 

Find out more about this exciting transition in the upcoming months. Please note that due to the move, SPACES is no longer able to welcome scholars and researchers to our Aptos offices. We will notify our supporters when the archival materials once again become accessible for study, but in the meantime, keep up with SPACES online!

Act Now: Save The Last Resort - A Working Model of Sustainability in Marin County, CA

Posted in Take Action, Threatened Environments

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Here’s your opportunity to voice your support David Hoffman’s The Last Resort house in Luganitas, a community in the Bay Area’s Marin County, California.

By signing the petition at this link, you are supporting the reinstatement of the Marin County Architectural Commission resolution that all 36 structures on the 2-acre property of David Lee Hoffman in Lagunitas constitute a cultural and historic landmark of local importance.

 

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From the petition:

We feel that David is a visionary who, during the past 40 years, has created solutions to climate change issues that we face as a global community. These solutions lie in the very structures and systems that stand to be destroyed if the Commission’s unanimous ruling continues to be discounted or ignored. We believe the demolition of his work would severely endanger the health, safety, beauty and tranquility of Marin County - and the potential for large-scale solutions that David’s innovation provides.

Be sure to sign the petition today, and show your support for this dynamic ecologically-minded site!

 

And below, see a preview of the the documentary film being made about the threat against this site, for which SPACES Director Jo Farb Hernández was interviewed. Read more about SPACES participation here.

  

The Last Resort: Call To Action from A.J. Marson on Vimeo.

SEARCH: Executive Director, Friends of Fred Smith (Wisconsin Concrete Park)

Posted in Take Action
wismithfoster012-environmentslideenlarge-1024-1024Robert Foster, 1989.

Fans and advocates of Fred Smith’s Wisconsin Concrete Park in Phillips, Wisconsin should consider applying immediately (there is a short turn-around) for the Executive Director opening for the site’s non-profit institution, the Friends of Fred Smith, Inc. Read the entire announcement below:

 

THE FRIENDS OF FRED SMITH, INC.

Job Opening: Executive Director

In cooperation with Price County, the Friends of Fred Smith, Inc., exists to support the 16 acre Wisconsin Concrete Park and the 237 concrete and glass sculptures created by self-taught artist and retired lumberjack, Fred Smith.  Under the direction of the FoFS Board of Directors and the Executive Committee, the Friends of Fred Smith Executive Director will promote and fulfill the mission and financial objectives of the Friends of Fred Smith, Inc., “… to preserve the Wisconsin Concrete Park and all its resources, including sculptures, landscape, and the Smith Family House, and develop the site as a public educational and cultural facility.”

The Friends of Fred Smith, Inc. (FoFS) seeks a leader who shares our passion for the art of Fred Smith, who believes that creative expression and visual and performing arts are necessary for quality of life and innovative, economic vitality.

 

FoFS values strong, positive and transparent collaborations with several community partners and strives to provide to the public, cultural, historical and artistic resources which have the capacity to broaden our views, expand our collective and individual potentials and bring people together for the common good.

 

To this end, the responsibilities of the Executive Director are as follows:


General Communications

  • Facilitate 2-3 board meetings per year and arrange quarterly Executive and Finance Committee meetings and monthly Educational Programming Committee meetings.

  • Coordinate and produce an Annual Report.

  • Represent and advocate for FoFS and the Wisconsin Concrete Park to the general public.

  • Collaborate with other non-profit and statewide organizations to create a sense of a common good for area residents and promote the FoFS mission.

  • Develop promotional package and ongoing communication with foundation management companies.

  • Develop a good working relationship with all board members. Work closely with the FoFS President to identify organizational needs and facilitate board oversight.

  • Work closely with Conservation Committee Chair to support site preservation; serve as liaison with area technicians.

  • Develop a good working relationship with the Price County Board of Supervisors and heads of the county departments of Forestry and Parks, Tourism and Buildings and Grounds.

 

Fund Raising

  • Expand grant support for FoFS activities and general operating support.

  • Develop a Donor Database.

  • Establish relationships with current Foundations that support FoFS; seek additional foundation support.

  • With the Administrative Assistant, develop and assist in coordinating annual membership drives and fund raising efforts.

  • Working with the Finance Committee, develop a long range strategy for fund raising and long term financial stability.

 

Education, Programming, Events

  • Develop and coordinate activities with area schools.

  • Coordinate Heritage Days, Annual Celebration of Arts in Action and other events held at the Park.

  • Identify community needs and desires to coordinate the educational programming at the park throughout the year in accordance with the FoFS Mission.

  • Develop advanced programming which will provide ongoing educational opportunities in specific media as well as a revenue stream for FoFS.

  • Research other possible venues to serve area residents through introducing the arts into everyday life.

 

Bookkeeping/Clerical

  • Develop and update a digital bookkeeping system including a check book ledger, income and expense spreadsheets, quarterly reports, and profit and loss statements.

  • Develop an annual budget and review with Finance Committee.

  • Handle all accounts payable and receivable.

  • Perform all payroll duties including withholdings and payments to staff, recording data for tax purposes, and overseeing payments to state and federal authorities. Cooperate fully with FoFS accountant to meet all financial and reporting obligations of the organization.

  • Record and track all details and listservs of workshops participants, events, memberships, fund raisers, donors, donations and inventory.

  • Respond to all inquiries in a timely fashion.

  • Work with Administrative Assistant to develop promotional graphics and avenues of dissemination including social media.

 

Volunteerism

  • Develop and coordinate volunteerism in conjunction with the Administrative Assistant and FoFS Committees:  Promotion and Educational Programming, Buildings and Grounds, Finance, Fund Raising and Membership, and Conservation.

  • Pursue collaborations with youth groups to involve them in the Park and instill a sense of “giving back” to the greater community.

 

Supervision

  • Identify organizational needs and initiate recruitment, training and financial sustainability of new employee positions.

  • Supervise staff as may be necessary to achieve the long term goals of FoFS.

 

ATTRIBUTES AND EXPERIENCE 

Requisite Experience and Skills

  • Applicant must have a deep appreciation for the life and art of Fred Smith, and believe that all forms of creative expression are necessary to the enhancement and quality of everyday life.

  • Congenial personality, must enjoy working with people of all ages.

  • Excellent organizational, leadership, and financial management skills.

  • Solid interpersonal and collaborative experience.

  • Proficient with all Microsoft Office programs, especially Excel, Publisher and Outlook.

  • Proficient in internet and social media platforms.

  • Excellent time management skills

  • Experience in policies, procedures and good governance practices

 

Preferred Attributes

  • Non-profit management and/or arts administration experience

  • College Degree in related field

  • Program assessment and project management skills

  • Photoshop proficiency

Located in Wisconsin’s northwoods, Phillips is a small city in a largely rural area with small, local businesses and a few larger corporations. Located on State Highway 13, an artery to northwoods vacationlands, by car Phillips is approximately 4 hours from Minneapolis/St. Paul, 5 hours from Madison, 5 ½ hours to Milwaukee, and 7 hours from Chicago. X miles to Ashland and Lake Superior.  Wisconsin is home to a remarkable number of vernacular art environments. Friends of Fred Smith participates in the Wandering Wisconsin consortium and in communication with colleagues at Nick Engelbert’s Grandview (Hollandale), the Herman Rusch Prairie Moon Museum (Cochrane), the Paul and Matilda Wegner Grotto (Cataract), the James Tellen Woodland Sculpture Garden, The Mary Nohl Home and Sculpture Garden, and the John Michael Kohler Arts Center (Sheboygan).

 

THE FRIENDS OF FRED SMITH OFFERS:

  • Professional development opportunities at an art environment recognized nationally and internationally as a leading vernacular art site.

  • A natural environment of rural beauty amidst lakes, forests, rivers and wild creatures, easily accessible by well-maintained hiking, biking and motorized trails.

  • A welcoming community of people who value this area’s natural heritage.

  • An opportunity for independence and flexibility in the workplace at an art environment with a great potential for positively affecting the people’s lives.

  • Industry competitive salary and benefits commensurate with entry-level administrative positions.

 

INTERESTED CANDIDATES should contact MARISSA RAAB at Express Pros: 

marissa.raab@expresspros.com / 715-785-7905

 

Mourning Francisco González Gragera, Creator of Spain’s Capricho de Cotrina

Posted in Preservation News
dscf0555All photos by Jo Farb Hernández, December 31, 2015.

SPACES is sad to share the news of the death of Francisco González Gragera, creator of one of Spain’s most important art environments, the Capricho de Cotrina, located in the western autonomous community of Extremadura (Badajoz). Gragera passed away on September 19, 2016; he was 90 years old. We send our warmest condolences to his family and friends at this difficult time

 

Although González began his elaborate project to build a country home for himself and his family in 1988, he was forced to stop several times – sometimes for years at a time – as a result of municipal mandates to halt construction, as his whimsical art environment did not conform to local urban codes or permit requirements, let alone architectural expectations. While he was not forced to demolish his work, neither was he given permission to continue to explore his aesthetic interests. Finally, in 2011, a new administration was elected and he was given the go-ahead to begin work anew, which he did with gusto, finessing existing components and adding new ones in the house as well as surrounding gardens, working without written plans and no formal training in architecture, engineering, or art.

 

In contrast to the products of his decades-long vocation–flat marble and granite floors, façades, and even sober geometrically rectilinear headstones–his architectural/sculptural Capricho flamboyantly celebrates the curve. Sinuous lines and organic contours characterize González’s sculpture and architecture, and even the footprints of the house and garden structures rarely, if ever, manifest a straight line. The curvilinear essence of the construction is not related to the topography, as the site is generally flat; rather, it reveals the emphasis the artist placed on unapologetically celebrating the fluidity of form.

 

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González’s Capricho, surely, was linked to aesthetic fantasy and his personal aspirations. It also links to the natural and man-made worlds: local topography and vegetation are well-represented, but so too are the fruits of the local laborers–the olives, the grapes, the sunflowers, the wheat, and even the acorns that are eaten with such gusto by the hogs that will be processed into the renowned jamón serrano. Yet beyond this his architectural whimsy was also tinged with painful memories, represented by the small loaf of bread that symbolizes those postwar years of starvation across Spain and the deprivations of the wars. His sensitivity to those events–viscerally understood at both an individual and a cultural level–coupled with his personal campaign to prove to others that he was worthy, that he was special, also underlay his impetus for construction. He was working for himself and his family, but also to share his efforts, his aesthetics, and what he believed to be important with others, passersby and locals alike.

 

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“Imagination can’t be purchased,” González affirmed. And giving free rein to those images of his imagination, he worked intuitively and improvisationally until the end, to, as he declared, make “the magic of dreams become reality.”

Having worked with and documented González’s Capricho de Cotrina from 2002 to 2016, I devoted a chapter with full description and analysis of his work in my 2013 book Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments.

— Jo Farb Hernández 

 

SPACES Director interviewed for upcoming documentary on David Hoffman’s Last Resort

Posted in SPACES News, Threatened Environments

The Last Resort Lagunitas has a special place in the cultural landscape of the area of Marin County, California, as it exemplifies many of the traditions that originated and evolved in this rural area north of San Francisco, including the inception of the local environmental movement, the birth of a unique style of Arts and Crafts/Pacific Rim architecture, and the formation of alternative artistic currents growing from the counter-culture of the 1960s-‘70s.

David Hoffman began to create this unique art site in 1973 when important cultural fermentations were taking place, drawing on the experience of his extended travels in Nepal, Bhutan, India, and China. In a unique and thoughtful way, he merged the ideologies and societal values of contemporary California with his own interest in the timeless Asian philosophies of life perpetuation and renewal, popularized at that time by the teaching of British philosopher Alan Watts. Hoffman fused these ideals within an array of structures that comprises the site; while reminding visitors of a multitude of world places and cultures, these structures are not copies of actual buildings but are rather the product of his memory, drawing from images of Buddhist temples, traditional rural housings, ancient hearth structures, and from an array of elements of the world’s traditions of tribal and folk art. Hoffman has intermingled all these influences while conducting personal research in order to transform this into “a totally sustainable site,” where the reuse of materials and the recycling of waste are central concepts for the design and construction of all structures. Hoffman has been working on the construction, updating, and maintenance of the site without interruption since its beginnings in 1973.

This site, however, is threatened, as the County of Marin has appointed a receiver in order to force compliance with literally hundreds of what they see as code violations, without taking into consideration the special importance or significance of this site. In an effort to more broadly publicize the concerns about the local government’s trajectory and to garner additional public support to save the site, freelance filmmaker A.J. Marson is producing a documentary on Hoffman and the Last Resort Lagunitas. He and his crew came to SPACES on February 15, 2017 in order to interview SPACES Director Jo Farb Hernández, who provided comprehensive background information on the genre of art environments and discussed specific efforts that are being made to advocate for the preservation of Hoffman’s site.

interviewPhoto courtesy A.J. Marson Films



Watts and Conservation Communities Mourn Frank Preusser

Posted in Preservation News

Frank D. Preusser (1944 – 2017)

It is with great sadness that we announce the death of Dr. Frank D. Preusser, Andrew W. Mellon Senior Conservation Scientist, in the Conservation Center at the Los Angeles County Museum of Art (LACMA).  Dr. Preusser devoted his life to the preservation of cultural materials and is widely recognized as one of the preeminent figures in the field of conservation science.  He joined LACMA in 2005 at a time when the Center was undergoing significant changes and his efforts were instrumental in revitalizing the Center’s scientific program. In addition to providing scientific support to the museum’s conservators and curatorial staff, Frank was the lead scientist and project manager for LACMA’s efforts to conserve Watts Towers – a complex set of interconnected sculptural structures located within the Simon Rodia State Historic Park in Watts, California.

Dr. Preusser received his BS (1967) and MS (1969) in chemistry from the Technical University Munich, Germany and in 1973 his PhD (summa cum laude) in physical chemistry and chemical technology. Soon thereafter he accepted a position at the Doerner Institute, the research center of the Bavarian State Art Collections where he served as Head of the Research Laboratory for over ten years working closely with one of the world’s leading paintings conservators, the late Hubert von Sonnenburg. As the only museum scientist on staff he was responsible for the technical examination of the collections as well as assisting the State’s Historic Monument Protection Agency. He also played an active role in the design of the Neue Pinakothek Munich to ensure the proper display and storage of the works of art.

 In 1983 Dr. Preusser was appointed Head of the Laboratory at the J. Paul Getty Museum and later served in multiple positions at the Getty Conservation Institute including Program Director (Scientific Research), Acting Co-Director, Head of Publications, and Associate Director (Programs). As Program Director for Scientific Research Dr. Preusser developed a wide range of new initiatives that set the stage for some of the most important advances in the field of conservation science. During his tenure at GCI, rather than poaching research staff from other institutions, Dr. Preusser purposefully recruited young up-and-coming professionals with various scientific backgrounds and set them off on the challenge of applying their expertise to cultural heritage preservation.  Many of them continue his drive to advance scientific progress in the field of conservation. During his tenure at GCI he also served on numerous advisory committees for the preservation of cultural materials – most notably UNESCO’s Advisory Committee to the Egyptian Antiquities Organization on the Preservation of the Giza Plateau; UNESCO’s International Consultative Committee for the Preservation of Moenjodaro in Pakistan; UNESCO’s International Committee on Training Needs in Cambodia; UNESCO’s Advisory Committee on the Preservation of the Monuments of Angkor, Cambodia; and the US National Acid Precipitation Assessment Program.

 After leaving the Getty Conservation Institute in 1993, he founded Frank Preusser & Associates where he continued to work on cultural heritage preservation projects for museums, libraries and archives as well as scientific investigations of individual artworks.  During this time he was also a guest-professor at the Tokyo National University of Fine Arts and Music (Tokyo Geijutsu Daigaku) where he taught several graduate courses in conservation science including an Introduction to Instrumental analysis, archaeometry, and accelerated aging.

While Dr. Preusser’s knowledge of the field of art conservation was without parallel, for those of us who had the honor of working with him he will always be remembered for the devotion and support he gave his staff and colleagues.  He loved teaching and guiding his staff and interns to reach their goals and become successful professionals. Many of us today owe our professional careers to his mentorship for which we are truly grateful.  

Dr. Preusser is survived by his wife Margarete, his two sons Wolfgang and Bernhard, his daughters-in-law Melinda and Susan, and his grandchildren Adrianna and Devin.

 

~Mark Gilberg and Charlotte Eng



Browse Blog Archives by Month
Highlights

Act Now: Save The Last Resort - A Working Model of Sustainability in Marin County, CA
Take Action, Threatened Environments

Conservator-in-Residence Position, Hartman Rock Garden - Ohio
Preservation News

SPACES Honors Watts Towers Committee Founding Member Jeanne Smith Morgan on her 90th Birthday!
Preservation News, SPACES News

Remembering Josep Pujiula i Vila (1937-2016)
Self-Taught Arts in the News

Dispatch from the Field: Jo Farb Hernández in Spain
SPACES News

Materializing the Bible. by James S. Bielo (Miami University)
Gardens, Religious, Devotional & Spiritual

Call to Action: Preserve Grandma Prisbrey's Bottle Village in California
Threatened Environments

Mr. Imagination exhibit at Intuit named one of 10 best in the United States
Self-Taught Arts in the News

SPACES Director to Present Singular Spaces at Madrid’s Reina Sofia Museum
SPACES News

Margaret’s Grocery listed as one of Mississippi’s Historic Trust’s 10 Most Endangered Properties!
Preservation News, Threatened Environments

The SPACES website allows you to save your favorite art environments and share them with your friends or colleagues. Create your own portfolio of your favorites from environments in the online collection.

Send them to your friends, post them on Facebook, Instagram or Twitter and tag #spacesarchives 

Look for this button on pages that can be saved:

Add Page to my spaces